Dega Central Highlands Organization Dega Central Highlands Organization
Knowledgebase

Instruments beyond the gongs

The gongs are the voice of the highlands, but they are not the only one. Our peoples made music from bamboo, gourds, stone and a single string: xylophones, mouth organs, tube zithers, one-string fiddles, jaw harps and panpipes. Most were recorded by outsiders in the 1950s and 1960s, and their names survive in those recordings.

A row of bamboo tubes of different lengths laid on a wooden frame
A Bahnar klông pút, bamboo tubes sounded by clapping air into their open ends. Photo: Binh Giang, via Wikimedia Commons, public domain.

The instruments and their names

The names below are as they appear in the catalog of the CNRS–Musée de l’Homme sound archive in Paris, and on the published recordings listed on Films and recordings. Spellings are the recordists’.

InstrumentNames in our languagesRecorded
Bamboo xylophonetrüng (Jarai); kok (Laac)Jarai, Gia Lai, 1963 (Dournes); Laac, 1960
Mouth organ, gourd and bamboo pipesding nam (Rhade); rökel (Sre); kombuot (Laac)Rhade, 1961 (Hauteclocque); Sre, 1960; Laac, 1959
One-string fiddleköni (Jarai)Jarai, Gia Lai, 1963 (Dournes)
Bamboo tube zithergông (Jarai); bro (Rhade)Jarai, Buôn Kênh, 1960; Rhade, 1961
Two-string zither on a gourdddong (Jarai)Jarai, Gia Lai, 1963, and in Dournes’s 1966 collection
Zitherdding dhüt (Maa)Maa, Lâm Đồng, 1960
Jaw harpgoc (Rhade); gôc (Laac)Rhade, 1961; Laac, 1960
Panpipe, bundledding dek (Jarai)Jarai, Gia Lai, 1963 (Dournes)
Flutesding tut, buôt (Rhade)Rhade, 1961
Stone lithophonegôec (Mnong Gar)Mnong Gar, 1953 (Condominas)
A man in a red headscarf playing a bamboo xylophone on a frame
Playing the t’rưng, the bamboo xylophone, 2009. Photo: Chris Feser, via Wikimedia Commons, CC BY 2.0.

The xylophone and the clapping tubes

The t’rưng — the Jarai trüng — is a set of bamboo tubes of graded lengths, hung or laid on a frame and struck with sticks. The klông pút of the Bahnar and neighboring peoples is played without touching the bamboo at all: the player claps cupped hands in front of the open tube ends and the air sounds the note. The 1966 US Army handbook describes a Rengao instrument, the ding but, “a series of hollow tubes,” which girls were forbidden to beat during the planting season for fear of displeasing Yang Xo’ri, the goddess of rice and the hearth.

The stone that sings

At the Mnong Gar village of Ndut Lieng Krak the ethnologist Georges Condominas found prehistoric cut stones used as a lithophone, the gôec, and recorded it being played in 1953. The story is on Gongs and epics.

Where to hear them

Several of the recordings in the table are on Viet Nam: Musiques des Montagnards (Le Chant du Monde, 1997), and the catalog entries of the Paris archive are free to read; some items can be played online. Links to both are on Films and recordings.

Help us

The catalog gives names and places, not how the instruments were made or when each was played. If you or your parents make or play any of these, we would like to record how, and in whose words. See How to record an elder.

See also: Before history.

Sources

Compiled September 2026. The description of how the t’rưng and klông pút are played is our own; the names and recording details are the archive’s.

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